Question: how do we use instructions is a way that creates a relational movement, where things we cannot imagine emerge? How do these scores choreograph, activating a relational potential? Choreography is a proposition to the event, always part of it.

In working with scores, we question how the can contribute to a generative practice, or how they can become propositional. Propositions elicit action in an environmental change. How does the calescing ecology of the event become more than the enabling constraints of the initial proposition that set the ecology in motion?

Philosopher Whitehead asks how the proposition lures, opening the occasion to its difference.